Abstract Modern
Born from an afternoon of restless experimentation, this collection takes scanned paper textures and runs them through a geometric filter of intersecting circles, arcs, and grid lines. Each piece starts from something tactile and analog — marbled paper, ink washes, floral patterns, hammered metallic surfaces — and reorganizes it into something structured and architectural. The recurring vocabulary of overlapping circles and rectangular fragments creates a sense of controlled collision, like looking through a kaleidoscope built by an engineer. Palettes range from jewel-toned and electric to muted and atmospheric, but the underlying logic stays consistent: organic texture, geometric order, and the tension between the two.
Abstract Modern
Flower Press
Flower Press
A more intimate, layered collection than its predecessor, Flower Press builds outward from real pressed flowers — petals and blossoms collected and preserved by hand — set against hand-drawn illustrations, sheet music, and fragments of newspaper text. The juxtaposition is deliberate: delicate, sun-faded botanicals laid over hard news clippings, vintage script, and ornate frames, with AI-generated elements (birds, butterflies, a wry illustrated crow) woven in as a third creative voice alongside the analog and the digital. The palette stays soft throughout — dusty purples, sage greens, aged parchment tones — giving the whole series a quiet, weathered, keepsake quality, like pages pulled from a journal that's been pressed shut for years.
Galaxies 101
Galaxies 101
A four-volume love letter to mid-century optimism and the golden age of space exploration, Galaxies 101 reimagines the atomic-era aesthetic through a contemporary digital lens. Sputtering rocket exhaust, starbursts, swirling clouds, and candy-colored planets all nod to the era's confident, googie-style futurism — but rendered with enough restraint to feel intentional rather than kitschy. Across its four volumes, the collection moves through different corners of that retro-cosmic vocabulary: rockets mid-launch, orbiting spheres, atomic motifs, and starlit skies, all unified by a warm, sherbet-toned palette and the clean geometric confidence that defined 1950s and '60s design.
Koi and Aquatic
Koi and Aquatic
A celebration of life underwater, this collection draws from a wide range of influences — traditional koi artistry, aquarium scenes, ornate decorative patterning, and even a touch of fantasy creature design. Brilliant gold, blue, and rose-toned koi swim through stylized waves and cherry blossoms, while quieter aquarium tableaux capture goldfish drifting past glass orbs and aquatic plants. A few pieces wander further afield into decorative framing and whimsical serpentine creatures, but the throughline is constant: water, scale, fin, and the quiet drama of things that live beneath the surface. Equal parts technical study and personal fascination, it's a collection that clearly comes from genuine affection for the subject.
Mixed Media
Mixed Media
A five-volume love letter to collage, Mixed Media layers vintage ephemera — newsprint, postage stamps, ledger pages, sheet music, ornate illustration — beneath subjects both original and AI-generated, from costumed cats to sailing junk boats. Each volume reassembles old paper and new imagination into something that feels equal parts excavated and invented.
Mushroom Club
Mushroom Club
A four-volume series rooted entirely in hand-drawn original art, Mushroom Club began on paper before it ever touched a screen. Every mushroom, moonlit topiary, and butterfly wing was sketched by hand, scanned in, then brought to life digitally — colored, refined, and occasionally run through a filter or two, with moderate use of photography for elements like the moon and clouds. The result is a body of work that feels both whimsical and deliberate: stacked fungi cascading like architecture, moonlit gardens dense with foxglove and toadstool, and monarch butterflies caught mid-flight against soft, cloud-streaked skies. Ornate frames and aged textures lend some pieces an antique, storybook quality, while others lean fully into fantasy-scale nature scenes. Across all four volumes, the throughline is craftsmanship: this is a collection built by hand, one drawing at a time.
Texting
Texting
A two-volume collection built entirely around the art of lettering itself, Texting turns single words and short phrases into hand-illustrated centerpieces. Each design pairs custom typography — playful script, gothic blackletter, looping flourishes — with ornate frames, stars, mandalas, or florals that frame the text like a seal or emblem. Some pieces are simple and universal ("Yes," "Maybe," "Meow"), while others carry a sharper, more personal edge, turning a single line into something closer to a statement piece than a decoration. Rendered in clean black-and-white linework, the collection has the bold, graphic punch of tattoo flash art crossed with old-school sign painting — equal parts wit and craft.
Wallfowers
Wallflowers
A four-volume celebration of floral arrangement, Wallflowers pairs photographed blooms with hand-built illustrated backdrops to create something between a botanical still life and an heirloom keepsake. Urns and vases overflow with roses and baby's breath, wreaths gather seasonal blossoms beneath ribboned bows, and dense floral patterns repeat into wallpaper-like fields. Soft damask textures, classical frames, and aged color palettes give the collection a quiet, formal elegance — the visual equivalent of flowers pressed into a family album. Across all four volumes, the mood stays consistent: lush, romantic, and a little nostalgic, like a garden remembered rather than one currently in bloom.
Wallfowers
Jacquard/Wallpaper
The earliest roots of this collection stretch back to pencil and paper, and the result is a fully original series of richly patterned, symmetrical designs inspired by jacquard textiles and traditional wallpaper motifs. Damask florals, repeating lotus medallions, and a striking dragon silhouette all play with the same visual language: bold central motifs set against ornate, mirrored backgrounds in deep jewel tones of red, gold, and indigo. There's a regal, textile-like quality throughout, as though each piece could be lifted straight off a bolt of brocade or a wall of antique wallpaper. Across all three volumes, the collection favors symmetry, density, and a kind of opulent restraint — pattern as its own form of storytelling.